Die Fledermaus

The queen of classical operetta appears in a new guise. As a comedy with music, "Die Fledermaus" returns to its starting point. The original model had its premiere as an entanglement comedy in Paris as early as 1871 - three years before Johann Strauss was able to celebrate his brilliant entry into the world of operetta with this material.   


In the new version by Peter and Florentina Hofbauer, the musical highlights of the Strauss operetta are not dispensed with, but at the same time the comedic core of the piece is taken into account to a greater extent than is usual in operetta productions. This already begins in the chamber play-like first act, where the triangular relationship of a bourgeois couple with the former singing teacher of the lady of the house is exposed.


The same applies to the second act - a soiree in which the actors take the games of confusion and entanglement to extremes. And finally in the third and last part, in which a prison becomes the sobering cell of longings and passions. As consolation, a self-forgotten life remains "in the stream of fire of the vines". For "happy is he who forgets what cannot be changed". This almost sounds like an homage to the resigned train of the Austrian soul.

Program and cast

Participants: Eric Lingens (Eisenstein), Ronny Kuste (Frog), Alfred Pfeifer (Dr. Falke), Tania Golden (Princess Orlovskaya), Juliette Khalil (Adele) and many more.
Director: Andy Hallwaxx

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Wiener Metropol

The great hall
 

It is distinguished by its six sand- and gold-colored columns and the central nave with the two brass louvers. Since summer 1998 equipped with modern soundproofing, the large hall of the Viennese metropolis, newly renovated, shines in new splendor. Famous and popular due to international and national events from musicals to cabaret to concerts.
 

A stage open on three sides gives the visitor fascinating insights into the scenarios. In addition, in the case of in-house musical productions, the entire hall is usually played and the audience is involved in the event. For all cultural events, the large hall can be optimally utilized, with a capacity of 700 standing or 550 seats, or adapted seating with round tables. Carefully selected performances, state-of-the-art technology and competent employees make culture an experience!

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