Alex Skolnick Trio

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Alex Skolnick is both an original member of Bay Area thrashers Testament (which he joined at age sixteen) and a respected New York improviser of multiple styles.

 

Emerging as one of the original melodic thrash guitarists (alongside Marty Friedman), Alex later moved to New York and earned a BfA in Jazz from The New School, studying with such prestigious artists as George Garzone, Cecil McBee and Reggie Workman.

 

Now a longtime resident of Brooklyn New York, he has gone on to release several critically acclaimed albums with the Alex Skolnick Trio, described as thus by jazz journalist Bill Milkowski: “Skolnick runs the guitaristic gamut from lush chord melodies to Wes Montgomery-style octaves to screaming Sonny Sharrock-esque skronking” (Downbeat Jan 2017).

 

In 2005, he reunited with Testament, the impact of which has eclipsed the band’s initial run). When not supporting the likes of Slayer and Megadeth on tour with Testament, Alex can be found headlining The Blue Note in Milan, Agharta in Prague, New York’s Iridium or various elegant venues across the world.

 

He is also a first call player for jazz/rock projects including the Stu Hamm/Alex Skolnick/Chad Wackerman power trio, Jane Getter Premonition featuring alumni from Pat Metheny Group (Mark Egan) and Miles Davis (Adam Holzman), as well as “Celebrating Allan Holdsworth,” in which Alex is one of several guitarists with the prestigious position of filling in for the late, great innovator at a series of shows with his (Holdsworth’s) touring band.

 

Alex is also the leader of the critically acclaimed world acoustic project, Planetary Coalition (featuring various international artists from across the globe including Rodrigo Y Gabriela and Horacio “El Negro” Hernandez).

 

In 2016, Joe Satriani chose Alex (his former pupil), to be a primary guest instructor at his annual G4 Experience, alongside Eric Johnson, Mike Keneally and Steve Vai, followed by by a stint as the sole guitarist on faculty at Warwick Bass Camp, in which he taught and played alongside Alphonso Johnson (Weather Report) and Dennis Chambers (John Scofield/John McLaughlin).

 

As an an educator and speaker, Alex has been invited to give keynote addresses at academic events such as Dayton University’s Metal and Cultural Impact conference as well as joining various PhDs at the International Society for Metal Studies in Helsinki.

 

As a writer, Alex is an editor and contributor to UNBUILT, a biannual lifestyle and cultural magazine that includes his friend and fellow “metal intellectual,” D Randall Blythe (vocalist of Lamb of God). He has also written for The Talkhouse, Guitar World, Guitar Player and other publications.

 

Alex has his own line of ESP signature guitars and is featured on the back cover of ESP’s 2017 catalogue (Metallica’s James Hetfield is on the front). Whether carefully listening and playing alongside the world’s top instrumentalists or loudly shredding with Testament or Metal Allegiance (the Nuclear Blast signed supergroup of which he’s a core writer and producer), it’s safe to say that Skolnick has found his own niche as a guitarist.

 

“Though he’s pretty much a household name in heavy metal, Alex defies categorization by musical genre.” (Making Music, Jan 2015).

Program and cast

Alex Skolnick: guitar
Nathan Peck: bass
Matt Zebroski: drums

PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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