American Signatures

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May 2026
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American Signatures

Ballets by Jerome Robbins, Pam Tanowitz, Lar Lubovitch and Jessica Lang

1 Intermission

 

Jerome Robbins is considered one of the most important ballet makers of the 20th century and his unmistakeable style has had a decisive influence on American dance. Interplay, his second choreographic work, premiered in 1945 in New York, provides a rousing opening to the four-part programme American Signatures that combines dance icons with current choreographic voices.

Performed to Morton Gould’s jazzy score, Interplay presents precisely what its title suggests: as if in a playground, the dancers meet, full of fun, but also competing with each other in Robbins’ choreography, that employs jazz elements to enrich the classical ballet vocabulary and with which the theatre maker and dance artist created one of the works that had a formative influence on his aesthetic.

The central section is made up of two pas de deux: Pam Tanowitz’s Dispatch Duet, originally created by the New York-based choreographer with the Royal Ballet London, manipulates formal, classical dance steps in an unfamiliar and amusing way to music by the American composer Ted Hearne that – mirroring Tanowitz’s choreographic language – twists musical ideas and conventions and filters them through his own individual musical language. Lar Lubovitch’s Each In Their Own Time is a recent work by one of America’s most versatile and popular choreographers. Created during the Covid pandemic for two soloists of New York City Ballet, the duet creates an intimate, interiorised world – choreographed with emotional depth and architectural clarity to piano works by Johannes Brahms that are performed by an onstage pianist.

Let Me Mingle Tears With Thee is Jessica Lang’s visual and choreographic exploration of Giovanni Battista Pergolesi’s famous setting of the Stabat mater. The resident choreographer at Pacific Northwest Ballet develops a poignant movement language, sometimes soft and fluid, sometimes energetic and impulsive, with which her dancers bring this sacred music to life.

Program and cast

Interplay

Choreography: Jerome Robbins

Music: Morton Gould

Costume design: Saint Loquasto

Lighting design: Ronald Bates

Rehearsal: Joaquin De Luz

Musical direction: Ben Glassberg

Piano: John Curreli

 

Dispatch Duet

Choreography: Pam Tanowitz

Music: Ted Hearne

Costume design: Reid Barthelme

Costume design: Harriet Jung

Lighting design: Simon Bennison

Rehearsal: Deirdre Chapman

Musical direction: Ben Glassberg

 

Each In His Own Time

Choreography, costumes and lighting: Lar Lubovitch

Music: Johannes Brahms

Rehearsal: Katarzyna Skarpetowska

Piano: Shino Takizawa

 

Let Me Mingle Tears With Thee

Choreography: Jessica Lang

Music: John Baptist Pergolesi

Set design: Jessica Lang

Set design: Carolyn Wong

Costume design: Jillian Lewis

Lighting design: Carolyn Wong

Musical direction: Ben Glassberg

soprano: Anita Götz

All: Jasmin White

Volksoper Vienna

Public transport:

Underground line U6
Trams 40, 41, 42
Bus 40A
Stop "Währinger Straße / Volksoper"

A taxi stand is located at Währinger Gürtel.
Parking garages in WIFI and AKH

 

The Volksoper is Vienna’s main stage for operetta, opera, musicals and ballet, offering sophisticated musical entertainment. Colourful, eclectic and full of vitality, it is the only theatre dedicated to the genre of operetta.

Operetta belongs to Vienna and Vienna installed it at the home of operetta, Volksopera Vienna, which thereupon became the leading operetta house in the world. First class singers, actors and dancers together with a versatile orchestra cunjure up a musical firework display every evening.

Johann Strauss, Franz Lehár, Emmerich Kálmán wrote their world famous beloved melodies for operettas such as “The Fledermaus”, “The Merry Widow” and “The Csárdás Princess”. A visit to at least one of these operettas at the Volksopera Vienna is a must for every visitor to Vienna!

Also performed are operas from the 18th, 19th and 20th centuries, as well as classic musicals and ballet. In addition, the Volksoper has a fifth longstanding and proven speciality: it stages soirées, cabaret and burlesque performances under the name of “Volksoper Spezial”.

In the repertory theatre, which seats 1,337 persons, some 300 performances of around 35 different productions are staged every year between September and June.

Volksoper Viena
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