Choir of the Society of Friends of Music in Vienna

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Describing the Indescribable

In his research on quantum physics, Anton Zeilinger has learned that there are certain things in nature that cannot be expressed rationally, particularly chance and its role. Neither with words nor with mathematics. Music, on the other hand, as Anton Zeilinger states, has the ability to encompass the indescribable. Especially in spiritual works, particularly when composed by those who were themselves religious. The concept of "mysticism" is one that, for Anton Zeilinger, expresses exactly this: the description of the indescribable, for example through music. This evening, Anton Zeilinger will discuss examples of fundamental insights from quantum physics and where scientific possibilities for describing reality may reach their limits. Anton Zeilinger’s lecture will engage in a dialogue with music chosen by him—mystical music and religious works by composers who narrate a reality that cannot be described, but can be played, heard, and felt.

Program and cast

Sunday, March 9, 2025

Anton Zeilinger, Lecture
Choir of the Society of Friends of Music in Vienna
Johannes Prinz
, Conductor
N.N., Organ

 

PROGRAM
Anton Zeilinger: Describing the Indescribable

Reflections on Quantum Physics

 

JOHANN SEBASTIAN BACH
Toccata and Fugue in D minor, BWV 565

 

ANTON BRUCKNER
Ave Maria

Christus factus est

 

MIKIS THEODORAKIS
Mauthausen Cantata

 

OLIVIER MESSIAEN
Apparition of the Eternal Church

 

FRANZ SCHUBERT
German Mass, D 872

 

Sunday, March 23, 2025

Choral Society of the Friends of Music in Vienna
Johannes Prinz
, Conductor
N.N., Soprano
N.N., Mezzo-soprano
N.N., Tenor
N.N., Baritone
N.N., Piano

 

PROGRAM
Der Rose Pilgerfahrt


LILI BOULANGER
Renouveau


CLAUDE DEBUSSY
Salut printemps


CAMILLE SAINT-SAËNS
Calme des nuits, op. 68/1
Les fleurs et les arbres


GABRIEL FAURÉ
Les Djinns


LILI BOULANGER
Hymne au soleil

 

– Interval –

 

ROBERT SCHUMANN
Der Rose Pilgerfahrt. Fairy tale after a poem by Moritz Horn for Soloists, Choir, and Piano, op. 112

Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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