Concentus Musicus Vienna
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Program and cast
9 June 2026
Interpreters
Concentus Musicus Wien
Stefan Gottfried , conductor
David Guerrier , natural horn and keyed trumpet
Program
Wolfgang Amadeus Mozart
Concerto for Horn and Orchestra in E-flat major, K. 447
Joseph Haydn
Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1
Symphony in D major, Hob. I:73, “La Chasse”
Ends approx. 9:30 pm
THURSDAY, 3. DECEMBER 2026
INTERPRETERS
Concentus Musicus Vienna
Chorus sine nomine
Stefan Gottfried, conductor
Emőke Baráth, Soprano
Wiebke Lehmkuhl, Old
Raphael Höhn, Tenor
Johannes Kammler, Bass
PROGRAM
Johann Sebastian Bach
Christmas Oratorio, BWV 248 - Part 3-6
End approx. 10:00 PM
SATURDAY, 5. DECEMBER 2026
INTERPRETERS
Concentus Musicus Vienna
Chorus sine nomine
Stefan Gottfried, conductor
Emőke Baráth, Soprano
Wiebke Lehmkuhl, Old
Raphael Höhn, Tenor
Johannes Kammler, Bass
PROGRAM
Johann Sebastian Bach
Christmas Oratorio, BWV 248 - Part 3-6
End approx. 6:00 PM
SATURDAY, 13. MARCH 2027
INTERPRETERS
Concentus Musicus Vienna
Singing association of the Society of Music Friends in Vienna
Stefan Gottfried, conductor
Sabine Devieilhe, Soprano
Anja Mittermüller, Old
Werner Güra, Tenor, (Evangelist)
Kai Kluge, Tenor
Florian Boesch, Bass, (Christus)
Gerald Finley, Bass
PROGRAM
Johann Sebastian Bach
Matthäus-Passion, BWV 244, "Passio Domini nostri J.C. secundum Evangelist Matthaeum"
End approx. 9:30 PM
SUNDAY, 14. MARCH 2027
INTERPRETERS
Concentus Musicus Vienna
Singing association of the Society of Music Friends in Vienna
Stefan Gottfried, conductor
Sabine Devieilhe, Soprano
Anja Mittermüller, Old
Werner Güra, Tenor, (Evangelist)
Kai Kluge, Tenor
Florian Boesch, Bass, (Christus)
Gerald Finley, Bass
PROGRAM
Johann Sebastian Bach
Matthäus-Passion, BWV 244, "Passio Domini nostri J.C. secundum Evangelist Matthaeum"
End approx. 9:30 PM
SATURDAY, 17. APRIL 2027
INTERPRETERS
Concentus Musicus Vienna
Stefan Gottfried, conductor
Nikola Hillebrand, Soprano
Florian Boesch, Baritone
PROGRAM
Georg Friedrich Handel
Overture to "Alexander's Feast or The Power of Music", HWV 75; version by Wolfgang Amadeus Mozart KV 591
Arias for soprano and bass from "Alexander's Feast", "Messiah" and "Acis and Galatea" in the version of Wolfgang Amadeus Mozart
– Break –
Wolfgang Amadeus Mozart
Symphony in C major, KV 551, "Jupiter Symphony"
End approx. 9:30 PM
SATURDAY, 5. JUNE 2027
INTERPRETERS
Concentus Musicus Vienna
Stefan Gottfried, conductor
Ursina Maria Braun, cello
PROGRAM
Georg Philipp Telemann
Ouverture D-Dur, TWV 55:D1
Sinfonia melodica for two oboes, bassoon, strings and basso continuo in C laso in C, TWV 50:2
Joseph Haydn
Concerto for Cello and Orchestra in C mar, Hob. VIIb:1
Symphony in D minor, Hob. I:26, "Lamentatione"
Wolfgang Amadeus Mozart
Symphony in E in 'Dur, KV 16
End approx. 9:30 PM
Musikverein Golden Hall
This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
Great Hall - Golden Hall
“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.
The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”
Brahms Hall
"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.
The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.
Glass Hall
As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.
Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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Seating plan