Igor Levit

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October 2025
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Join us for an unforgettable evening with Igor Levit at the Musikverein, Vienna. Celebrated for his profound musicality and technical mastery, Levit will perform Johannes Brahms' "Four Ballades for Piano, Op. 10" and Ludwig van Beethoven's "Symphony No. 3 in E-flat major, Op. 55 ('Eroica')" in Franz Liszt's piano transcription. This recital promises a captivating journey through two classical masterpieces, showcasing Levit's extraordinary talent. Don't miss this opportunity to experience one of the most acclaimed pianists of our time in an iconic venue.

Program and cast

Igor Levit, Piano

 

PROGRAM

JOHANNES BRAHMS

Four Ballades for Piano, Op. 10

 

– Intermission –

 

LUDWIG VAN BEETHOVEN

Symphony No. 3 in E-flat major, Op. 55 ("Eroica"); Piano version by Franz Liszt

 

17 October 2025

PERFORMERS
Igor Levit, piano

 

PROGRAM
MAURICE RAVEL
Kaddish; transcribed for solo piano by Alexander Siloti

DMITRI SHOSTAKOVICH
Piano Sonata No. 2 in B minor, Op. 61

– Interval –

FRANZ SCHUBERT / FRANZ LISZT
Petrification; from "Winterreise", D. 911

Linden Tree; from "Winterreise", D. 911

Krieger's Premonition; from "Swan Song", D. 957

Dried Flowers; from "The Miller's Daughter", D. 795

The Miller and the Brook; from "The Miller's Daughter", D. 795

Litany for All Souls' Day, D. 343

LUDWIG VAN BEETHOVEN
Piano Sonata in C minor, Op. 111

Ends approx. 9:30 p.m.

 

19 October 2025

PERFORMERS

Günther Groissböck, bass

Igor Levit, piano

 

PROGRAM

MAURICE RAVEL

Kaddish

 

DMITRI SHOSTAKOVICH

Suite on poems by Michelangelo Buonarotti, op. 145

 

– Interval –

 

FRANZ LISZT

Three Sonetti del Petrarch for low voice and piano (R. 578/S. 270)

 

GUSTAV MAHLER

Songs of a Wayfarer

 

Ends approx. 9:30 p.m.

 

21 October 2025

PERFORMERS:

Igor Levit, piano

Yamen Saadi, violin

Julia Hagen, cello

 

PROGRAM

DMITRY SHOSTAKOVICH

Trio for piano, violin and cello No. 2 in E minor, op. 67

 

– Intermission –

 

SERGEY WASSILYEVITCH RACHMANINOW

Trio élégiaque No. 2 in D minor, op. 9

 

Ends at approximately 9:30 p.m.

Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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