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James Brandon Lewis Trio
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 June 2030 | ||||||
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“A saxophonist who embodies and transcends tradition” (The New York Times), James Brandon Lewis has become, in just over a decade, one of the most celebrated young artists in jazz — an artist who has carved a niche for his singular mixture of gospel, blues, and R&B with the incendiary saxophone explorations of John Coltrane, Albert Ayler, and Sonny Rollins. His performance coincides with the release of his ANTI Records recording, Eye and I. His Live Trio features electric bassist Josh Werner and drummer Chad Taylor.
“James Brandon Lewis’ solos are like a jumbo jet,” enthuses Marc Ribot. “You need to give them plenty of runway space to take off and land. Because they’re huge, not just in terms of sound, chops, soul, ideas, energy, and originality, (although they have all these in abundance), but because they’re carrying a precious cargo: the living legacy of John Coltrane. I’m not talking about some skillful ‘young lion's’ reproduction of a historic jazz sound, but a young artist’s courage to take up the spiritual challenge—to channel what needs to be channeled now.”
Program and cast
James Brandon Lewis: tenor saxophone
Josh Werner: electric bass
Chad Taylor: drums
PORGY and BESS Jazzclub
Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .
The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.
Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "
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