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© Simon Reithofer
Karel Eriksson
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 February 2031 | ||||||
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Karel Eriksson 'Sound Pollution Eclectic'
While the trombone used to be one of the most emblematic instruments in jazz, there are very few of us today who can defend the trombone as a leading instrument. Karel is definitely one of these special player who offers here on this album a great group of musicians who really connect with one another. (Samuel Blaser)
While the trombone used to be one of the most emblematic instruments in jazz, there are very few of us today who can defend the trombone as a leading instrument. Karel is definitely one of these special player who offers here on this album a great group of musicians who really connect with one another. (Samuel Blaser)
Swedish trombonist Karel Eriksson presents his quintet Sound Pollution Eclectic, with Gerhard Ornig, Thilo Seevers (keyboards), Emiliano Sampaio (guitar) and Luis Oliveira (drums) as band members - five musicians who are almost like an all-star selection of graduates who have completed their studies at the Jazz Institute of the Graz University of Music in recent years.
The band not only attracts attention with a renowned line-up, but also with adventurous music: free improvisation and clearly structured passages complement each other in the sense of a varied dramaturgy between lyrical-contemplative moods and groovy ensemble passages, whereby the excellent solo skills of the musicians are also shown to their best advantage. Contemporary jazz of the high-contrast variety, played by a top-class quintet whose members are regarded as potential protagonists of tomorrow's scene. (Andreas Felber, Ö1 Jazz editorial office)
Program and cast
Karel Eriksson: trombone
Gerhard Ornig: trumpet
Emiliano Sampaio: guitar
Thilo Seevers: keyboards
Luis Oliveira: drums
PORGY and BESS Jazzclub
Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .
The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.
Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "
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