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© Matthias Horn
Kasimir and Karoline
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 December 2031 | ||||||
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KASIMIR AND KAROLINE by Ödön von Horváth
Duration and Breaks: 1 hour 30 minutes - no intermission
"Love never ends" is the motto for Horváth's "ballad" of the Munich Oktoberfest in the early 1930s. However, the love between Kasimir, who has been fired as a chauffeur on this day, and Karoline, who can't let go of her higher ambitions, ends already in the third of one hundred and seventeen scenes with the words: "Take care of yourself!" Thus, the seemingly malicious statement that love never ends continues to hold true throughout the play. The fact that love in this play is mainly used as a vehicle for social ascent and descent makes it, in a sense, only more enduring. But not more constant, because every new opportunity for a (better) life must be seized immediately, and there is no time to look back: "What is dead is dead, and there are no ghosts, especially not between the sexes." Karoline, who rises from the dismissed chauffeur to a momentary relationship with a commercial counselor and ultimately ends up with a tailor from the children's department, tries to achieve with calculation what she evidently cannot with emotion: "People without feelings have a much easier life." The coldness that Horváth's characters display in this 1932 play is something they will still need.
Program and cast
Felix Rech - Kasimir
Marie-Luise Stockinger - Karoline
Markus Meyer - Rauch
Markus Hering - Speer
Jonas Hackmann - Schürzinger
Christoph Luser - Der Merkel Franz
Mavie Hörbiger - Dem Merkel Franz seine Erna
Lili Winderlich - Elli
Maresi Riegner - Maria
Elisabeth Augustin - Paramedic
Wolfram Rupperti - The Doctor
Christoph Griesser - The Announcer
Sophie Aujesky - The Announcer
Olivier Blau - Juanita
Musicians from Federspiel - Brass Band
Franziska Hatz - Accordion, Vocals
Barry O Mahony - Banjo, Vocals
Luis Brettschuh - Extra
Stefan Glawischnig - Extra
Elvis Häber - Extra
Lukas Hagenauer - Extra
Johannes Kirchner - Extra
Moritz Krainz - Extra
Alexander Mayer - Extra
Karl Jakob Schäfer - Extra
Johannes Pietsch - Extra
Wolfgang Schöbitz - Extra
Gregor Schuster - Extra
Valeriu Ursu - Extra
Marlene Glösmann - Extra
Sonja Hanl - Extra
Lena Reinhardt - Extra
Sara Siedlecka - Extra
Hannah Wassner - Extra
Direction: Mateja Koležnik
Set Design: Raimund Orfeo Voigt
Assistant Set Design: Thilo Ullrich
Costumes: Ana Savić-Gecan
Lighting: Michael Hofer
Sound Design: Christoph Mateka
Composition: Michael Gumpinger
Choreography: Magdalena Reiter
Dramaturgy: Sebastian Huber
Photo gallery
© Matthias Horn
© Matthias Horn
© Matthias Horn
© Matthias Horn
© Matthias Horn
Burgtheater
The stage of the Burgtheater is one of the biggest theatre stages in the world. The stage portal is 12m wide, the main stage is 28,5m wide, 23m deep and 28m high. At the opening in 1888 the stage technology was already innovatory and has been modernized on many occasions. During the reconstruction after World War II, which was accomplished in 1955, a stage equipment was installed that is still revolutionary today. The revolving stage consists of a rotating cylinder (15m high, 21m diameter) and four hydraulic lifts (12 x 4 m each). With the help of this technical features the scenery can be changed within 40 seconds. It is the biggest automatic and computer controlled stagesystem in Europe.
The Burgtheater auditorium holds 1175 seats, it has standing room for 84 visitors and 12 places for disabled visitors.
Apart from the stage-art the Burgtheater plays an important part in architecture and interior design of the 19th century in Vienna. The magnificent decoration, especially the two imperial staircases painted by Gustav Klimt, his brother Ernst Klimt and their companion Franz Matsch as well as the main foyer and the many statues, busts and paintings of famous writers and actors can be visited during our dailyguided tour.
© Matthias Horn
© Matthias Horn
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