New Year´s Concert
Mo | Tu | We | Th | Fr | Sa | Su |
Program and cast
Polish Art Philharmonic
Michael Maciaszczyk, Conductor
PROGRAM
New Year's Concert
JOHANN STRAUSS II
Overture to the Operetta "The Gypsy Baron"
JOHANNES BRAHMS
Hungarian Dance No. 1 in G minor
JOHANN STRAUSS II
Tritsch-Tratsch Polka, Op. 214
PYOTR ILYICH TCHAIKOVSKY
Waltz from the Ballet "The Sleeping Beauty," Op. 66
EDVARD GRIEG
Arabian Dance
JOHANN STRAUSS II
Egyptian March, Op. 335
CAMILLE SAINT-SAËNS
Danse macabre, Op. 40
JOHANN STRAUSS II
Morning Papers. Waltz, Op. 279
– Interval –
GEORGES BIZET
Overture to the Opera "Carmen"
Habanera from the Opera "Carmen"
Carmen. Suite No. 2 - Danse Bohème
EDUARD STRAUSS
Clear the Tracks!. Fast Polka, Op. 45
ANTONÍN DVOŘÁK
Slavonic Dance in G minor, Op. 46/8
JOHANN STRAUSS II
New Pizzicato Polka, Op. 449
DMITRI SHOSTAKOVICH
Waltz No. 2
JULES MASSENET
Meditation from the Opera "Thaïs"
JOHANN STRAUSS II
Persian March, Op. 289
Peasant Polka. French Polka, Op. 276
Where the Lemons Bloom. Waltz, Op. 364
Musikverein Golden Hall
This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
Great Hall - Golden Hall
“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.
The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”
Brahms Hall
"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.
The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.
Glass Hall
As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.
Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.