No Exit

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October 2024
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NO EXIT by Jean-Paul Sartre

Duration and Breaks: 2 hours - no intermission

 

Translated into German by Traugott König

Inès, Estelle, and Garcin can only speculate why they have ended up together in this particular hell: an interior room without windows and mirrors, walled in like a tower, visited only occasionally by an eccentric waiter. An outside? It doesn’t exist here. Even their eyelids are paralyzed; the place threatens with continuous wakefulness, without the relieving “black flashes” of blinking. Why are these three people, who never met in life, confined together here? What guilt has brought them here? Do they unknowingly already hold the instruments of torture for each other in their hands?

 

Jean-Paul Sartre’s existentialist classic, first performed in 1944 in Paris under Nazi rule, is not only a key work for understanding Sartre’s philosophy of freedom, which revolves around the question of how the gaze of others defines us against our will. NO EXIT is also a play about uncertainty, confinement, and isolation, about a changed perception of time that stretches into an eternity, weighing down on people and things like lead. In this sense, it holds valuable knowledge in which we surprisingly find ourselves upon reflection on the past years.

 

We sincerely thank Erwin Wurm and the Erwin Wurm Studio for the loan of the cucumber sculpture, an original piece from the artist’s workshop.

Program and cast

Dörte Lyssewski - Inès Serrano
Regina Fritsch - Estelle Rigault
Tobias Moretti - Joseph Garcin
Christoph Luser - Waiter

 

Direction: Martin Kušej
Set Design: Martin Zehetgruber
Assistant Set Design: Stephanie Wagner
Costumes: Werner Fritz
Music: Aki Traar
Lighting: Michael Hofer
Dramaturgy: Alexander Kerlin

Photo gallery
Matthias Horn
© Matthias Horn
Matthias Horn
© Matthias Horn
Matthias Horn
© Matthias Horn
Matthias Horn
© Matthias Horn

Burgtheater

The stage of the Burgtheater is one of the biggest theatre stages in the world. The stage portal is 12m wide, the main stage is 28,5m wide, 23m deep and 28m high. At the opening in 1888 the stage technology was already innovatory and has been modernized on many occasions. During the reconstruction after World War II, which was accomplished in 1955, a stage equipment was installed that is still revolutionary today. The revolving stage consists of a rotating cylinder (15m high, 21m diameter) and four hydraulic lifts (12 x 4 m each). With the help of this technical features the scenery can be changed within 40 seconds. It is the biggest automatic and computer controlled stagesystem in Europe.
The Burgtheater auditorium holds 1175 seats, it has standing room for 84 visitors and 12 places for disabled visitors.

Apart from the stage-art the Burgtheater plays an important part in architecture and interior design of the 19th century in Vienna. The magnificent decoration, especially the two imperial staircases painted by Gustav Klimt, his brother Ernst Klimt and their companion Franz Matsch as well as the main foyer and the many statues, busts and paintings of famous writers and actors can be visited during our dailyguided tour. 

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