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© onQ
onQ plays the Music of Peter Herbert
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 March 2028 | ||||||
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Since 2020, the onQ collective has provided a stage for the presentation of new music and the realization of its creative ideas. Originally founded in the midst of the coronavirus pandemic, it now focuses more than ever on instrumentalists and composers and brings current compositions to the stage in varying line-ups throughout the year.
After several "Composer's Specials" with Stepan Flagar, Ole Morten Vågan, Tijn Wybenga, Judith Ferstl, Flora Geißelbrecht, Christoph Pepe Auer, Tobias Meissl, Jul Dillier, Michael Tiefenbacher, Tobias Vedovelli ... Peter Herbert has now been commissioned to compose for the collective and to arrange his compositions for the ensemble. And anyone who knows the quality of the composing bassist knows that a very exciting musical evening is in store. Exciting! CH
Program and cast
Peter Herbert: bass, composition
Martin Eberle: trumpet
Stepan Flagar, Leonhard Skorupa: reeds
Tomas Novak, Emily Stewart: violin
Flora Geißelbrecht: viola
Melissa Coleman, Margarethe Herbert: cello
Kenji Herbert: guitar
Michael Tiefenbacher: keyboards
Tobias Vedovelli: bass
Valentin Duit: drums
PORGY and BESS Jazzclub
Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .
The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.
Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "
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