The Merry Widow

Operetta by Franz Lehár. In German language with English surtitles.

Synopsis

Act one

“You say, you love me,
But I fear, where the truth
Will be taught:
Your love is more sincere 
For the beauty of my gold!” (Hanna)

In Pontevedro's embassy in Paris, Baron Mirko Zeta and his guests hold a celebration in honour of the birthday of Pontevedro’s sovereign –  in spite of their native country’s empty treasury. Zeta, whose French spouse Valencienne is ardently courted by her compatriot Camille de Rosillon, has hatched out a plan to save his native country from bankruptcy: He invited the ultra-wealthy widow Hanna Glawari, an elegant Pontevedrian lady who has come into money through marriage, and plans to have his embassy attaché, Count Danilo Danilowitsch, an elderly lounge lizard, who permanently turns night into day at his favorite night club Maxim, to court Hanna. That way her fortune would stay in Pontevedro and would not be passed on to the Parisian dowry-hunters. When Njegus, specialist for “delicate affairs” at Pontevedro's embassy, finally manages to get the disheveled Danilo to the embassy, Hanna is already the center of male attention. Danilo is struck by lightning when he recognizes the love of his youth: Hanna. Back then they were denied marriage for her social status was not befitting his. Hanna pointedly remarks that she would be well worthy for his aristocratic family now, but Danilo assures her that he would not marry her exactly for that reason.

Valencienne lost her fan. On it are Camille's compromising words “I love you”. To bring the affair to an end, she demands of her admirer to marry Hanna. Meanwhile Danilo refuses to comply with Zeta's plan to marry the “Pontevedrian bail-out”. In order to keep the tiresome French suitors off Hanna, Danilo arranges a ladies' choice dance: Hanna asks Danilo for a dance, but he wants to sell it for 10.000 francs. All the other gentlemen lose their interest. The two squabblers allow themselves to be seduced into a quick dance …

Act two

“Oh, you accursed millions!“ (Danilo)

Hanna arranges a Pontevedrian get-together at her Paris domicile. The evening turns into a catalyst for the love turmoil and the battle of the sexes among the party guests. Hanna tries to win Danilo's heart, but he keeps avoiding her and sets off on a different mission assigned by Zeta:  He needs to find out to which lady the fan with the inscription “I love you” belongs, in order to reveal who has an extramarital affair. Said woman, although already married, should then marry Camille. That way the most dangerous of all marriage candidates would be out of the way.

While searching for the married woman, Danilo learns a lot about Pontevedrian-French love affairs, which prompts him to chat with the other gentlemen about the supposed infidelity of their wives and the “study of women”. Only Camille still gives the romantic lover, but Valencienne wants to put a definitive end to the affair, desperately repeating her statement of faith: “I am a respectable woman.” And yet she follows Camille to a hidden and discreete “pavilion” for a farewell kiss …

When Zeta sees them through a viewing slit, the affair seems to blow up, but Njegus, at the very last moment, manages to swap Valencienne for Hanna through the back door. To everyone’s dismay, Hanna and Camille step out of the “pavilion”; what was intended as help for Valencienne takes on a life of its own and in the end Hanna feels compelled to announce her engagement with Camille.

Act three

“Oh, you lost millions!“ (Zeta)

In the basement of her villa, Hanna has had recreated Danilo’s favorite night club, the famous “Maxim’s”, where real “grisettes” – led by the ambassador's wife Valencienne – perform. A telegram informs Zeta that the sovereign has lost confidence in the Pontevedrian colony and is on his way to Paris. Since the threat of national bankruptcy is still looming, Danilo takes heart and appeals to Hanna not to marry Camille. As soon as the last French marriage candidate is out of the game, the Pontevedrian love and marriage affairs untangle ... All's well, that ends well.

Program and cast

Director and set designer: Marco Arturo Marelli
Costumes: Dagmar Niefind
Choreography: Renato Zanella