Karl Ratzer Trio

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July 2024
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Karl Ratzer was born 1950 in Vienna, which had just seen the End of World War II. His family had suffered a lot from the Nazi-regime due to their ethnic descent of the Roma, a subgroup of the Romani people (also known as “Gypsies”) and this was also a handicap in the post-war Austria. Karl was therefore not in a position to be aided, but his musical talent appeared very soon. He got his first guitar from his mother at age 12 and started to play with the help of some Pictures. At age 15, he had his own Band, the “Slaves” and toured through Germany and Switzerland. Later formations were Charles Ryders Corporation, C-Department und Gipsy Love. When he left Vienna in 1972, to move to the USA, he was a local Rock-hero, celebrated by his fans.

 

He was able to establish in the Musical Scene quite fast. He went on tour with the Soul band “High Voltage“, which became famous as „Rufus & Chaka Khan“ later on. This was the beginning of an intensive learning process and Karl Ratzer learnt the music fast. Funk, Soul, Jazz and above all Blues, played in different styles from the South to NYC. Instead of studying at Universities, he developed his proficiency playing in the Clubs. He moved to NYC in 1977 and had a band with Jeremy Steig, Dan Wall, Eddie Gomez, Joe Chambers and Ray Mantilla. The first recording of this band was released 1978 by Vanguard. Genre: Blues, Funk / Soul, Jazz. During his years in the States, Karl developed besides his impressing guitar technique a competence in style. His guitar sounds always genuine, whether he plays Rock, Blues or Jazz.

 

Karl came back to Europe 1979 with an excellent band comprising of Jon Burr, Jimmy Madison, Phil Markowitz . 1980 he had a European tour with Chet Baker and stayed finally in Vienna. He became a driving force to the Viennese Jazz scene, starting many different projects , for example, his own Club, the “Camarillo” as well as working with local and international stars. During these years he started to teach in schools and seminars and to develop a method for guitar players of different maturity grades. From 1999 to 2003 he worked as Professor at the University of Graz. Since 2004 he is teaching at the Vienna Music Institute and the Vienna Conservatory. This period of Life can be characterized by quoting Karl Ratzer "I am not only playing guitar anymore, I am making music"

 

The times of experimenting and winging it all the time are gone. Karl is now concentrating on a few, assorted projects. He wants to use his knowledge and experience assembling the elements precisely in those projects. His compositions are getting more complexly arranged and enriched by horn sections. This is the framework for his selective guitar playing and his touching vocals. Ratzer can build on a lot of experience and applies it to Live Gigs, Productions, Workshops, Tuitions and others. Moreover, he is open for new musical directions and challenges, as proven by his recently acquired Baritone guitar.

Program and cast

Karl Ratzer: guitar, vocals
Peter Herbert: bass
Howard Curtis: drums

PORGY & BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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