Orf Rso Vienna

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Program and cast

MARCH 23, 2023

PERFORMERS
ORF RSO Vienna
Marin Alsop
conductor

Igor Levit
piano

PROGRAM
Hans-Werner Henze

Tristan. Preludes for piano, tapes and orchestra

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Bela Bartok

Concerto for Orchestra, Sz 116

JUNE 05, 2023

PERFORMERS
ORF RSO Vienna
Thomas Adès
conductor

Kirill Gerstein
piano

PROGRAM
Thomas Adès

Tower - for Frank Gehry. Fanfare for 14 trumpets
Benjamin Britten

"Young Apollo" for piano, string quartet and string orchestra, op. 16
Thomas Adès

Concerto for piano and orchestra (Austrian premiere)

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Thomas Adès

The Exterminating Angel Symphony
Leos Janacek

Sinfonietta for Orchestra

JUNE 22, 2023

PERFORMERS
ORF RSO Vienna
PROGRAM
Orchestra concert - Diploma examination for conductor training

 

SUNDAY 22 OCTOBER
ORF RSO Vienna
Karina Canellakis

Bartók • Dvořák • Janáček

7.30 p.m. – 9.30 p.m. Great Hall
PERFORMERS
ORF RSO Vienna
Singing association of the Gesellschaft der Musikfreunde in Vienna
Karina Canellakis | conductor
Kateřina Kněžíková | soprano
Lena Belkina | Old
Pavol Breslik | tenor
N.N. | tenor
Jan Martiník | bass
PROGRAM
Béla Bartók: Four Orchestral Pieces, Op. 12
Antonín Dvořák: Holoubek. Symphonic Poem in C minor, Op. 110, "The Wood Pigeon"
Leoš Janáček: Mša Glagolskaja. Festive mass for solo quartet, choir, orchestra and organ (“Glagolitic Mass”); Version 1928

FRIDAY 24 NOVEMBER
ORF RSO Vienna
Markus Poschner

Haas • Bruckner

7.30 p.m. – 9.30 p.m. Great Hall
PERFORMERS
ORF RSO Vienna
Markus Poschner | conductor
Miranda Cuckson | violin
PROGRAM
Georg Friedrich Haas: Concerto for Violin and Orchestra No. 2
Anton Bruckner: Symphony No. 3 in D minor; 2nd version 1877

24.01.2024

Marin Alsop

Amber • Shostakovich

7.30 p.m. – 9.40 p.m. Great Hall
PERFORMERS
ORF RSO Vienna
Marin Alsop | conductor
David Fray | Piano
PROGRAM
Leonard Bernstein: Overture to "Candide"
Leonard Bernstein: Symphony No. 2 for piano and orchestra, "The Age of Anxiety"
Dmitri Shostakovich: Symphony No. 5, Op. 47

04.06.2024

PERFORMERS
ORF RSO Vienna
Peter Eötvös | conductor
Xavier de Maistre | harp
PROGRAM
Richard Wagner: Siegfried Idyll
Peter Eötvös: Concerto for Harp and Orchestra (Austrian premiere)
Peter Eötvös: Reading Malevich
Béla Bartók: The Wonderful Mandarin. Concert Suite, op. 19

Musikverein

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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