Tonkünstler Orchestra of Lower Austria

Order tickets
PreviousJuly 2026
Mo
Tu
We
Th
Fr
Sa
Su

Program and cast

12 February 2026
Tonkünstler-Orchester Niederösterreich
Jules Buckley, Conductor
Manu Delago, Percussion
Mad about Lemon, Vocal Trio

 

 

21 and 22 February 2026
Tonkünstler-Orchester Niederösterreich
Tomáš Netopil, Conductor
Julian Steckel, Cello

 

Program
Antonín Dvořák
Cello Concerto in B minor, Op. 104

 

– Intermission –

 

Josef Suk
Symphony in E major, Op. 14

 

 

26 February 2026
Tonkünstler-Orchester Niederösterreich
Jascha van der Goltz, Conductor
Albert Hosp, Moderator

 

Program
Johannes Brahms
Symphony No. 4 in E minor, Op. 98

 

 

10 March 2026
Tonkünstler-Orchester Niederösterreich
Fabien Gabel, Conductor
Barbara Rett, Moderator

 

Program
The exact program will be announced at a later date.

 

 

14 and 15 March 2026
Tonkünstler-Orchester Niederösterreich
Fabien Gabel, Conductor
Amihai Grosz, Viola

 

Program
Anton Webern
Im Sommerwind. Idyll for large orchestra after a poem by Bruno Wille

 

Donghoon Shin
Concerto for Viola and Orchestra, "Threadsuns" (Austrian Premiere)

 

– Intermission –

 

Ludwig van Beethoven
Symphony No. 6 in F major, Op. 68, "Pastoral Symphony"

 

 

12 and 14 April 2026
Tonkünstler-Orchester Niederösterreich
Hans Graf, Conductor
Ziyu He, Violin

 

Program
Sergei Rachmaninoff
Symphony No. 1 in D minor, Op. 13

 

Paul Hindemith
Violin Concerto

 

– Intermission –

 

Sergei Rachmaninoff
Symphony No. 3 in A minor, Op. 44

 

 

3 and 5 May 2026
Tonkünstler-Orchester Niederösterreich
Jun Märkl, Conductor
Alexander Gavrylyuk, Piano

 

Program
Richard Strauss
Dance Suite after Keyboard Pieces by François Couperin, AV 107
Burlesque for Piano and Orchestra in D minor, O.Op., AV 85

 

– Intermission –

 

Richard Strauss
Also sprach Zarathustra. Tone Poem freely based on Friedrich Nietzsche for large orchestra, Op. 30

 

 

7 May 2026
Tonkünstler-Orchester Niederösterreich
Fabien Gabel, Conductor
Albert Hosp, Moderator

 

Program
Joseph Marx
Symphonic Night Music

 

 

15 and 17 May 2026
Tonkünstler-Orchester Niederösterreich
Czech Philharmonic Choir Brno
Yutaka Sado, Conductor
Aleksandra Szmyd, Soprano
Anja Mittermüller, Mezzo-soprano
Attilio Glaser, Tenor
Edwin Crossley-Mercer, Bass

 

Program
Anton Bruckner
Symphony in D minor, "Zero"

 

– Intermission –

 

Anton Bruckner
Christus factus est. Sacred Motet for Mixed Choir a cappella
Te Deum for Soli, Mixed Choir, Organ, and Orchestra in C major

 

 

28 May 2026
Tonkünstler-Orchester Niederösterreich
Fabien Gabel, Conductor
Sirba Octet
Alexei Birioukov, Balalaika

 

Program
The exact program will be announced at a later date.

 

 

5 and 7 June 2026
Tonkünstler-Orchester Niederösterreich
Fabien Gabel, Conductor
Marc-André Hamelin, Piano

 

Program
Joseph Marx
Romantic Piano Concerto in E major

 

– Intermission –

 

Johannes Brahms
Symphony No. 4 in E minor, Op. 98

Photo gallery
Orchestra Tonkünstler
Nancy Horowitz
© Nancy Horowitz
Tonkünstler Orchester Niederösterreich 2
Martina Siebenhandl
© Nancy Horowitz

Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

Related events