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Ensembles of the Vienna Philharmonic

VenueMusikverein Brahms Hall
CalendarSun 20 Dec 2026 - Sat 19 Jun 2027
Cast

Sunday, 20 December 2026

Yamen Saadi, violin

Lucas Takeshi Stratmann, violin

Elmar Landerer, viola

Tilman Kühn, viola

Sebastian Bru, cello

Klaus Mäkelä, cello

 

Programme

Anton Bruckner

String Quintet in F major

– Interval –

Johannes Brahms

String Sextet No. 2 in G major, Op. 36

End approx. 9:30 p.m.


 

Sunday, 14 February 2027

Kirill Kobantschenko, violin

Johannes Kostner, violin

Sebastian Führlinger, viola

Bernhard Naoki Hedenborg, cello

Luc Mangholz, flute

Alex Ladstätter, clarinet

Charlotte Balzereit, harp

 

Programme

Arnold Bax

Quintet for Strings and Harp

Jean Françaix

Quintet for Flute, Harp and String Trio

Nino Rota

Music from the films “The Godfather”, “La dolce vita” and “The Taming of the Shrew” for harp and string quartet

– Interval –

André Caplet

“Conte fantastique” for Harp and String Quartet

Maurice Ravel

Introduction et Allegro for Harp, Flute, Clarinet and String Quartet

End approx. 9:30 p.m.


 

Tuesday, 6 April 2027

Maxime Pascal, conductor

Yamen Saadi, violin

Thomas Küblböck, violin

Barnaba Poprawski, viola

Tamás Varga, cello

Ödön Rácz, double bass

Luc Mangholz, flute

Katharina Kratochwil, oboe

Alex Ladstätter, clarinet

Benedikt Dinkhauser, bassoon

Manuel Huber, horn

Benjamin Schmidinger, percussion

Johannes Schneider, percussion

Herbert Rüdisser, piano

Ines Schüttengruber, celesta and harmonium

Okka von der Damerau, mezzo-soprano

Siyabonga Maqungo, tenor

 

Programme

Wolfgang Amadeus Mozart

String Quartet in D minor, K. 421

– Interval –

Gustav Mahler

Das Lied von der Erde. Symphony after Hans Bethge’s “The Chinese Flute”; arranged for chamber orchestra by Arnold Schönberg and Rainer Riehn

End approx. 9:30 p.m.


 

Saturday, 19 June 2027

Philippe Jordan, piano

Yamen Saadi, violin

Júlia Gyenge, violin

Barnaba Poprawski, viola

Wolfgang Härtel, cello

 

Programme

Fanny Hensel

String Quartet in E-flat major

Ludwig van Beethoven

String Quartet in F minor, Op. 95

– Interval –

Pyotr Ilyich Tchaikovsky

Trio for Piano, Violin and Cello in A minor, Op. 50, “A la memoire d’un grand artiste”

End approx. 9:30 p.m.

Venue
Musikverein Brahms Hall

For many years, this hall was known only as the “Kleine Musikvereinssaal”, until in 1937, during the 125th anniversary year of the Gesellschaft der Musikfreunde in Wien, it was given a name that truly reflects its importance: the Brahms Saal. Johannes Brahms not only performed in person in this hall, he was also behind the very first concert to be performed here, by Clara Schumann on 19 January 1870. The standards set that day have been maintained ever since. The Brahms Saal remains one of the most prized locations for the greatest chamber music ensembles and lieder singers performing in the world today.

 

With just under of 600 seats, the hall is designed to showcase the intimate aspects of classical music. The hall acoustics are perfectly attuned to deliver this: the Brahms Saal – 32.50 metres long, 10.30 metres wide und 11 metres high – possesses a similar acoustic brilliance to the Große Musikvereinssaal.

 

When the Musiverein building was opened in 1870, the Kleine Musikvereinssaal was described as a “true little treasure chest”. It was even suggested that this hall might warrant greater praise and wonderment than the Große Musikvereinssaal: “One might even wish to award the prize to this hall for its peacefulness and simple grandeur.” It is abundantly clear that Theophil Hansen’s design for the Brahms Saal created an architectonic masterpiece of the Historicism period. His commitment to the “Greek Renaissance”, evident in the design’s allusions to classical Hellas, make this concert hall an authentic temple of chamber music.

 

In 1993 the Brahms Saal underwent a comprehensive restoration programme. The restoration project involved consulting the original designs held at the Print Room at the Academy of Fine Arts in Vienna.  This made it possible to reconstruct the original colour scheme created by Hansen as the Musikverein’s architect: green walls, red columns and the liberal use of gold.

 

When the Brahms Saal reopened to the public in its new form in 1993, a Vienna newspaper wrote: “Without wishing to raise expectations too high, this has been transformed into the most beautiful, magnificent and prestigious chamber music concert hall we are likely to find anywhere in the world.”

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