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Emmanuel Pahud And Eric Le Sage

VenueMusikverein Brahms Hall
CalendarSun 30 May 2027
Synopsis/Details

Experience an exceptional chamber music performance with Emmanuel Pahud and Eric Le Sage at the Musikverein in Vienna. Emmanuel Pahud is one of the most celebrated flautists of his generation, admired for his beautiful tone, technical brilliance, and expressive musical interpretations. As a distinguished soloist and orchestral musician, he has earned international recognition for his versatility and artistic excellence.

Eric Le Sage is an acclaimed French pianist known for his refined touch, musical sensitivity, and distinguished interpretations of classical and Romantic repertoire. His collaborative performances are praised for their elegance, precision, and expressive depth.

Together, these two outstanding musicians create a compelling musical partnership, combining the flute’s lyrical warmth with the piano’s rich and nuanced sound. The Musikverein, renowned for its outstanding acoustics and elegant atmosphere, provides the perfect setting for an unforgettable concert experience in the heart of Vienna.

Cast

Emmanuel Pahud, flute

Eric Le Sage, piano

 

Programme

Bohuslav Martinů

Sonata for Flute and Piano

Maurice Ravel

Sonata posthume for Violin and Piano in one movement; transcribed by Emmanuel Pahud

Wolfgang Amadeus Mozart

Sonata for Piano and Violin in G major, K. 379; transcribed by Emmanuel Pahud

– Interval –

Wolfgang Amadeus Mozart

Sonata for Piano and Violin in B-flat major, K. 378; transcribed by Emmanuel Pahud

Johannes Brahms

Sonata for Piano and Viola in E-flat major, Op. 120 No. 2; arranged for piano and flute

End approx. 9:30 p.m.

Venue
Musikverein Brahms Hall

For many years, this hall was known only as the “Kleine Musikvereinssaal”, until in 1937, during the 125th anniversary year of the Gesellschaft der Musikfreunde in Wien, it was given a name that truly reflects its importance: the Brahms Saal. Johannes Brahms not only performed in person in this hall, he was also behind the very first concert to be performed here, by Clara Schumann on 19 January 1870. The standards set that day have been maintained ever since. The Brahms Saal remains one of the most prized locations for the greatest chamber music ensembles and lieder singers performing in the world today.

 

With just under of 600 seats, the hall is designed to showcase the intimate aspects of classical music. The hall acoustics are perfectly attuned to deliver this: the Brahms Saal – 32.50 metres long, 10.30 metres wide und 11 metres high – possesses a similar acoustic brilliance to the Große Musikvereinssaal.

 

When the Musiverein building was opened in 1870, the Kleine Musikvereinssaal was described as a “true little treasure chest”. It was even suggested that this hall might warrant greater praise and wonderment than the Große Musikvereinssaal: “One might even wish to award the prize to this hall for its peacefulness and simple grandeur.” It is abundantly clear that Theophil Hansen’s design for the Brahms Saal created an architectonic masterpiece of the Historicism period. His commitment to the “Greek Renaissance”, evident in the design’s allusions to classical Hellas, make this concert hall an authentic temple of chamber music.

 

In 1993 the Brahms Saal underwent a comprehensive restoration programme. The restoration project involved consulting the original designs held at the Print Room at the Academy of Fine Arts in Vienna.  This made it possible to reconstruct the original colour scheme created by Hansen as the Musikverein’s architect: green walls, red columns and the liberal use of gold.

 

When the Brahms Saal reopened to the public in its new form in 1993, a Vienna newspaper wrote: “Without wishing to raise expectations too high, this has been transformed into the most beautiful, magnificent and prestigious chamber music concert hall we are likely to find anywhere in the world.”

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