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Staatskapelle Berlin

VenueMusikverein Golden Hall
CalendarSun 16 May 2027 - Mon 17 May 2027
Synopsis/Details

The Staatskapelle Berlin is one of Germany's oldest and most distinguished orchestras, with a history dating back to the 16th century. Renowned for its rich sound, exceptional musicianship, and long-standing artistic traditions, the orchestra has earned an outstanding international reputation. Its repertoire spans major works from the Baroque, Classical, and Romantic periods, as well as contemporary compositions.

Throughout its history, the Staatskapelle Berlin has collaborated with some of the world's most celebrated conductors, composers, and soloists. Its performances combine musical precision, expressive depth, and a distinctive orchestral character, offering audiences unforgettable concert experiences.

Discover upcoming performances and enjoy the exceptional artistry of the Staatskapelle Berlin, an ensemble that continues to shape the international classical music scene.

  • Location
    • › The Musikverein is a renowned concert hall in Vienna, Austria, located in the city centre, near Karlsplatz and the Vienna State Opera. It is famous for its outstanding acoustics and rich musical history. 
    • › The address is Musikvereinsplatz 1, 1010 Wien.
  • Public transportation
    • › The Musikverein building is centrally located and very well connected to the public transport network. Support us in our commitment to environmental protection and sustainability and travel by public transport if possible.
    • → Subway:
    • -U1, U2 and U4 to station Karlsplatz (approx. 7 or 4 minutes away)
    • → Tram:
    • -Line 1, 2, 62 to station Oper, Karlsplatz (approx. 4 minutes away)
    • -Line 71, D to Schwarzenbergplatz (approx. 4 minutes away)
    • -Badner Bahn to the final destination Wien Oper (approx. 4 minutes away)
    • → Bus:
    • -Line 59A, to station ‘Oper, Karlsplatz’ (approx. 4 minutes away)
    • -Line 4A to station ‘Karlsplatz’ (approx. 4 minutes away)
    • ›Please note that tickets for using the public transport network must be purchased from the ticket machines or counters of Wiener Linien. Our admission tickets do not entitle you to use public transport free of charge.
  • Dresscode
    • › We would be delighted if you could attend our concerts and events in festive attire appropriate to the occasion. Please refrain from wearing sportswear or training gear when you visit.
  • Cloakroom
    • › For security reasons, coats, bags, rucksacks, umbrellas and folding chairs may not be taken into the hall, not even to the standing area. The Gesellschaft der Musikfreunde reserves the right to charge a fee for storing your clothing and larger bags or rucksacks. Please note that suitcases and large bags cannot be stored.
  • Punctuality
    • › Don’t come at the last minute. Bring a little time with you and let yourself be inspired by the ambience. Admire the rooms in which Anton Bruckner, Gustav Mahler and Johannes Brahms played …
    • › Take your seat in good time. A gong will remind you that it is time to take your seat. After the auditorium doors have closed, it is only possible to take your seat during the applause breaks or even after the first half of the concert out of consideration for the artists.
  • Admission time
    • › The Musikverein building opens 1 hour before the start of an event. Admission to the hall is usually granted 30 minutes before the start of the performance. Please note that after the start of a performance, admission for latecomers can only take place during the interval or during a possible applause break. Entry during a movement break is not possible. This also applies to seats in the parterre and balcony boxes as well as for visitors in the standing area.
  • Applause
    • › In Vienna, it is customary not to interrupt the music with applause. Even if you are particularly impressed by the performance, you should only clap once a piece has finished, not after a single movement – this allows you to savour that brief moment when the final note fades away and to appreciate the piece in its entirety. The performers are then all the more delighted by a round of applause. Applause is also very much welcome when soloists or conductors take to the stage or leave it.
  • At your seat
    • › All listeners benefit from your switched-off phone. Especially you, as you can concentrate all your senses on the music.
    • › Your new top hat is an eye-catcher, but your hairstyle also deserves admiration. Please refrain from wearing voluminous headgear out of consideration for those sitting behind you.
    • › Please avoid talking during the concert. Due to the unique acoustics of our halls, even the slightest whisper is very disturbing.
    • › Food and drinks may not be taken into the hall. Enjoy refreshments at the buffet during the break.
  • Accessible concert attendance
    • › The barrier-free entrance for wheelchair users is located at the main entrance on the right. Elevators are available in the building.
    • › The Musikverein has three wheelchair-accessible toilets: in the 2nd foyer (2nd basement floor), at the main entrance on the right and at the balcony boxes on the left.
Cast

Saturday, 18 April 2026 & Sunday, 19 April 2026
Staatskapelle Berlin
Christian Thielemann, conductor
Julia Kleiter, soprano
Konstantin Krimmel, baritone

 

Program
Richard Strauss
Orchestral Songs
Verführung, op. 33/1
Nächtlicher Gang, op. 44/2
Muttertändelei, op. 43/2
Ruhe, meine Seele, op. 27/1
Pilgers Morgenlied, op. 33/4
Morgen, op. 27/4
Hymnus, op. 33/3
Waldseligkeit, op. 49/1

 

Interval

 

Ludwig van Beethoven
Symphony No. 6 in F major, op. 68, “Pastoral”
Overture to Goethe’s Tragedy Egmont, op. 84
End approx. 9:30 PM

 

 

Sunday, 16 May 2027 & Monday, 17 May 2027
Staatskapelle Berlin
Christian Thielemann, conductor
Camilla Nylund, soprano

 

Program
Franz Liszt
Festklänge, Symphonic Poem No. 7
Richard Strauss
Three Hymns after Poems by Friedrich Hölderlin for high voice and orchestra, op. 71

 

Interval

 

Franz Liszt
Orpheus, Symphonic Poem No. 4
Les Préludes, Symphonic Poem No. 3
End approx. 9:40 PM

Venue
Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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