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Luther College Symphony Orchestra

VenueMusikverein Golden Hall
CalendarFri 29 Jan 2027
Synopsis/Details

The Luther College Symphony Orchestra takes the stage at Vienna’s prestigious Musikverein on 8 January 2027, bringing an inspiring programme of American and British orchestral music to the elegant Brahms-Saal. Under the direction of Charles Baldwin, with soprano Emily Secor as soloist, the concert promises an evening of musical discovery, expressive storytelling and orchestral brilliance.

The programme opens with Aaron Copland’s vibrant An Outdoor Overture, followed by Margaret Bonds’ powerful Montgomery Variations, a deeply evocative work exploring themes of history, identity and hope. The evening continues with Samuel Barber’s lyrical masterpiece Knoxville: Summer of 1915, in which soprano and orchestra create an intimate and nostalgic portrait of American life.

After the interval, audiences will enjoy the spirited overture from Ralph Vaughan Williams’ suite The Wasps, before the concert concludes with Edward Elgar’s celebrated Enigma Variations, a work of remarkable imagination, emotional depth and orchestral colour.

A captivating encounter between musical traditions, this concert celebrates the richness of the orchestral repertoire and the energy of a new generation of musicians in one of Europe’s most distinguished concert venues.

Cast

Luther College Symphony Orchestra
Charles Baldwin, Conductor
Emily Secor, Soprano

 

Programme
Aaron Copland – An Outdoor Overture
Margaret Bonds – Montgomery Variations; 6th Movement: Lament; 5th Movement: One Sunday in the South; 7th Movement: Benediction
Samuel Barber – “Knoxville: Summer of 1915” for Soprano and Orchestra, Op. 24
– Interval –
Ralph Vaughan Williams – Overture from the Suite “The Wasps”
Edward Elgar – Variations on an Original Theme (“Enigma”) for Orchestra, Op. 36

Venue
Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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