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Vienna Symphony Orchestra Musikverein

VenueMusikverein Golden Hall
CalendarSun 08 Nov 2026 - Thu 24 Jun 2027
Synopsis/Details

 

The Vienna Symphony Orchestra is one of the top international orchestras. The focus of the orchestra's work is the conscious cultivation, sustainable development and broad communication of traditional Viennese sound culture. At the same time, in its more than 100-year history, the orchestra has earned a worldwide reputation for its passion for artistic innovation with premieres by leading composers, sensational artistic projects, collaborations and programs.

Cast

8 and 9 November 2026

Vienna Symphony Orchestra
Singverein of the Gesellschaft der Musikfreunde in Vienna
Maxime Pascal, conductor
Andrew Staples, tenor

 

Programme

Hector Berlioz – Requiem for tenor solo, chorus and orchestra, Op. 5, “Grande Messe des Morts”


 

12 and 14 November 2026

Vienna Symphony Orchestra
Maxim Emelyanychev, conductor
Patricia Kopatchinskaja, violin
Christoph Stradner, cello

 

Programme

Patricia Kopatchinskaja – “Cadenza” from Five Dreams for violin, cello and orchestra

Dmitri Shostakovich – Concerto for Violin and Orchestra No. 2 in C-sharp minor, Op. 129

Interval

Ludwig van Beethoven – Symphony No. 5 in C minor, Op. 67


 

5 and 6 December 2026

Vienna Symphony Orchestra
Singverein of the Gesellschaft der Musikfreunde in Vienna
Stéphane Denève, conductor

 

Programme

Francis Poulenc – Les Biches. Ballet music for chorus and orchestra

Interval

Albert Roussel – Le Festin de l’araignée (The Spider’s Feast). Symphonic fragments from the ballet-pantomime, Op. 17

Maurice Ravel – Daphnis et Chloé. Suite No. 2


 

10 and 12 December 2026

Vienna Symphony Orchestra
Elim Chan, conductor
Leif Ove Andsnes, piano

 

Programme

Igor Stravinsky – Suite for Small Orchestra No. 2

Benjamin Britten – Concerto for Piano and Orchestra in D major, Op. 13

Interval

Claude Debussy – Jeux. Poème dansé for orchestra

Pyotr Ilyich Tchaikovsky – Suite from the ballet Swan Lake, Op. 20


 

9 and 10 January 2027

Vienna Symphony Orchestra
Singverein of the Gesellschaft der Musikfreunde in Vienna
Manfred Honeck, conductor
Nikola Hillebrand, soprano
Catriona Morison, alto
Benjamin Bruns, tenor
Matthias Goerne, bass

 

Programme

Felix Mendelssohn Bartholdy – Elijah. Oratorio in two parts based on words from the Old Testament, Op. 70


 

17 and 18 February 2027

Vienna Symphony Orchestra
Dima Slobodeniouk, conductor
Leonidas Kavakos, violin

 

Programme

Ludwig van Beethoven – Overture to the tragedy Coriolan, in C minor, Op. 62

Karol Szymanowski – Concerto for Violin and Orchestra No. 2, Op. 61

Interval

Jean Sibelius – Symphony No. 1 in E minor, Op. 39


 

10 and 11 March 2027

Vienna Symphony Orchestra
Petr Popelka, conductor
Francesco Piemontesi, piano

 

Programme

Robert Schumann – Concerto for Piano and Orchestra in A minor, Op. 54

Interval

Pyotr Ilyich Tchaikovsky – Francesca da Rimini. Symphonic poem for orchestra, Op. 32 (fantasy after Dante)

Igor Stravinsky – Suite from the ballet The Firebird, 1919 version


 

3 April 2027

Vienna Symphony Orchestra
Male singers of the Neue Wiener Stimmen choir
Julius Zeman, conductor
Sebastian Radon, presenter and vocalist
Bogavox, school choirs of BRG Wien III

 

Programme

Georg Friedrich Handel
Zadok the Priest. Anthem for chorus, orchestra and harpsichord, HWV 258

Johann Hölzel (Falco) / Rob Bolland / Ferdi Bolland
Rock Me Amadeus

Christopher Tin
Baba Yetu. Theme song from the video game Sid Meier’s Civilization IV

And other works

Concert for audiences aged 10 and above


 

7 and 8 April 2027

Vienna Symphony Orchestra
Cantando Admont
Eva Ollikainen, conductor

 

Programme

Luciano Berio – Sinfonia for eight voices and orchestra

Interval

Claude Debussy – La Mer. Three symphonic sketches for orchestra

Maurice Ravel – La Valse. Choreographic poem for orchestra


 

24 and 25 April 2027

Vienna Symphony Orchestra
Adam Fischer, conductor

 

Programme

Joseph Haydn – Symphony in F minor, Hob. I:49, “La passione”

Johannes Brahms – Variations on a Theme by Joseph Haydn (“St. Anthony Chorale”) for orchestra in B-flat major, Op. 56a

Interval

Johannes Brahms – Symphony No. 4 in E minor, Op. 98


 

12 and 13 May 2027

Vienna Symphony Orchestra
Petr Popelka, conductor
Kian Soltani, cello

 

Programme

Joseph Haydn – Concerto for Cello and Orchestra in C major, Hob. VIIb:1

Interval

Erich Wolfgang Korngold – Symphony in F-sharp, Op. 40


 

19 and 20 June 2027

Vienna Symphony Orchestra
Anja Bihlmaier, conductor
Anastasia Kobekina, cello

 

Programme

György Ligeti – Concert Românesc (Romanian Concerto)

Robert Schumann – Concerto for Cello and Orchestra in A minor, Op. 129

Interval

Pyotr Ilyich Tchaikovsky – Symphony No. 5 in E minor, Op. 64


 

23 and 24 June 2027

Vienna Symphony Orchestra
Philippe Jordan, conductor
Anja Kampe, soprano

 

Programme

Richard Strauss – Death and Transfiguration. Tone poem for large orchestra, Op. 24; Three Hymns after poems by Friedrich Hölderlin for high voice and orchestra, Op. 71

Interval

Richard Strauss – Also sprach Zarathustra (Thus Spoke Zarathustra). Tone poem freely based on Friedrich Nietzsche, for large orchestra, Op. 30

Venue
Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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